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GRAPHIC DESIGN.   Term Paper ID:30809 Click to get this paper

Essay Subject: The work of Josef Muller-Brockman.... More...

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Paper Abstract: The work of Josef Muller-Brockman. His contribution to the Swiss design movement of the mid-20th Century. His style and design philosophy. The visual language and typographic style of his use of grid systems in graphic design. The universality of his style. The visual power and impact of his work. His artistic concepts and career. Paper Introduction: Graphic design began with written language and over the centuries evolved into a significant element of communication. Using words and pictures to present ideas visually is a creative as well as a technological process. Historically cultures have presented visual communication in their own styles, reflecting the socio-cultural influences of each and impacting how the graphic designer will solve a particular design problem. Josef Muller-Brockman, a seminal figure in the Swiss design movement of the mid-20th Century, developed a clear, objective, orderly style and design philosophy that made him a theorist as well as a practitioner of graphic design. Rather than employing a style that would reflect only his specific culture, Muller-Brockman sought a universal language, Text of the Paper: The entire text of the paper is shown below. However, the text is somewhat scrambled. We want to give you as much information as we possibly can about our papers and essays, but we cannot give them away for free. In the text below you will find that while disordered, many of the phrases are essentially intact. From this text you will be able to get a solid sense of the writing style, the concepts addressed, and the sources used in the research paper. He worked as a freelancedesigner and illustrator, and opened his own studio. The world has also evolved from single cultures to multiculturalism,and Muller-Brockman' visual language and typographic style, as exemplifiedin the grid, is suitable to this new direction. During his career, Muller-Brockman received many commissions, honorsand awards. Retrieved at: http://www.imon.org/mueller-brockman/ on March 3, 2 3.Josef Muller-Brockmann: Biography. Works CitedInternational Typographic Style. His conceptscan be clearly observed in the posters he produced from 1951 on in which heused images as neutral symbols and employed a typographical grid in theexecution of his design (Josef Muller-Brockman: Biography; imon: josefmuller-brockman). Retrieved at: http://www.filterfine.com/resources/jmb/bio.htm on February 28, 2 3.Muller-Brockman, Josef. He insisted on "an absolute and universal graphic expression throughan objective and impersonal presentation, communicating to the audiencewithout the inference of the designer's subjective feelings or propagandisttechniques of persuasion. Muller-Brockman's style had a major impact on postwar Americandesign, particularly in the corporate graphics area. Graphic design began with written language and over the centuriesevolved into a significant element of communication. "Information presented with clean and logically set outtitles, subtitles, texts, illustrations and captions will not only be readmore quickly and easily but the information will also be better understoodand retained in memory" (Muller-Brockman 45). A measure of his success can be gauged byobserving the visual power and impact of his work" (InternationalTypographic Style). Using words andpictures to present ideas visually is a creative as well as a technologicalprocess. Hisphotographic posters treat the image as an objective symbol ...."(International Typographic Style). Designs he made in the195 s "are as current and vital as they were a half-century ago andcommunicate their message with a remarkable intensity and clarity. The systematic approach as defined andpracticed by Muller-Brockman remains one of the most significantcontributions to the field of graphic design. Born in Switzerland in 1914, during his long career Muller-Brockmanwas a graphic designer, photographer, sculptor, theatrical set designer,illustrator, advertising agency owner, author, teacher, internationallecturer and consultant After completion of secondary school, he wasapprentices to a graphic designer in Zurich but left to study architecture,design and art history at the University. Retrieved at: http://webpages.marshall.edu/~bruggemann1/international_typographic_sty le2.htm on February 28, 2 3.Josef Muller-Brockman. Muller-Brockman's contribution to the field of graphic design isconsiderable. Rather than employing a style that would reflect only his specificculture, Muller-Brockman sought a universal language, although the strictorder of his style may be attributed to traits particular to the Swiss. Grid Systems on Graphic Design. New York, NY: Hastings House Publishing, 1985. His pioneering book, Grid Systems in Graphic Design, firstpublished in 1961, is still in use and holds relevance in today's world ofcomputer-assisted design with its clear concept and examples of problem-solving using the grid as a system of coordinates or fields used tocompartmentalize text and graphic elements to present information in ameaningful manner. Historically cultures have presented visual communication intheir own styles, reflecting the socio-cultural influences of each andimpacting how the graphic designer will solve a particular design problem.Josef Muller-Brockman, a seminal figure in the Swiss design movement of themid-2 th Century, developed a clear, objective, orderly style and designphilosophy that made him a theorist as well as a practitioner of graphicdesign. In his personal life, he served as a lieutenant in the SwissArmy from 1939-1945, and was married twice; his first wife was killed in anautomobile accident in 1964, and his son died in 1993, three years prior tohis own death on August 3 , 1996.(Josef Muller-Brockman: Biography). Gridded page layout,geometric symbols, and neutral photographs form a universal language.Muller-Brockman and the Swiss Design Movement emanate from its own cultureas well in that Switzerland is a trilingual country, containing its ownbrand of multiculturalism. It was natural for the Swiss Design to becomeinternational in scope. Imon.org. By 195 he began tomove away from illustration to objective-constructive design. If this paper is not what you are looking for, you can search again: Search for: or Click here to request an essay written just for you.